I Dredged a River Back to Life
One
I can’t swim.
Yet that morning, before the sky had fully lightened, I jumped into the Ajen River.
The laughter on the bank chased me like spray: “Suraj’s gone mad again!”
They weren’t wrong. I was twenty-one, born beside this river, raised beside it, and I couldn’t even swim. Luckily, its deepest stretch came only up to my waist.
What they didn’t know was this: I hadn’t gone in to swim.
I had gone in to ransom a river from the garbage, one piece at a time.
Two
My village is Rajgarh, a speck in Madhya Pradesh you’d need a magnifying glass to find. The Ajen River passes by its edge—though “passes by” is no longer accurate. It’s more like an old blanket someone threw away: plastic bags for patches, foam boxes for lumps, algae gone green-black, layer pressed upon layer.
When the wind blew off the water, the smell arrived first, then the sound of the water, and only at the very last, the river itself.
The women no longer came to wash clothes on its banks. The children no longer came to play in the water. Cows walked to the edge, lowered their heads for a sniff, and turned away.
The village elders said this river had once run clear in its youth—so clear you could see your own face reflected in it. That was before I was born.
I grew up beside it and never once saw it clean. Sometimes I’d stand on the bank and wonder: when a river dies, does it know?
Three
On the twenty-sixth of January, I had gone to the river to dump garbage.
There was no proper collection in our village. Every household’s plastic ended its journey here. I stood on the bank, bag in hand, and suddenly the thing felt heavy—not the garbage, but the shame.
That day I set the bag down on the bank, rolled up my trousers, and stepped into the black mud.
One bag. Two. Three. By nightfall, a small, ugly mountain had risen on the bank. But for the first time, it felt like the river was breathing.
The next day, five friends showed up. They clapped me on the shoulder: “Suraj, this is a good thing. Let’s do it big.”
Four
“Big” lasted less than a week.
One had to leave for work in town. One had exams to study for. One had a new calf at home and couldn’t get away. Each of them left for reasons beyond reproach, and I saw them off at the edge of the village without a word of blame—everyone has their own river to cross.
After that, it was just me.
One person’s tools: a bamboo pole with a sickle lashed to its tip, for cutting through the tangled plastic, then dragging it out bag by bag. One person’s funding: two years of savings meant for a new phone, transformed into pairs of gloves, bars of soap, bundles of woven sacks. One person’s gear—there was no gear.
I couldn’t swim. Where the water passed my waist, I would first drive the pole deep into the mud, grip it tight, and only then move my feet. Like a clumsy reed rooted in the heart of the river.
Into the water before dawn, out after dark. The days stopped passing one by one and started passing bag by bag.
Passersby asked: what for? Nobody’s paying you. I’d smile and fail to answer. Some things you don’t do because you’ve seen hope. You do them because if you don’t, you can’t sleep at night.
Five
The river tested me, too.
Weeks soaked in polluted water, infections running through my limbs again and again, skin itching so badly I couldn’t sleep all night. Scratched raw, scabbed over, scratched raw again. At night my mother rubbed ointment into my arms while scolding me: “Suraj, the river wasn’t your mess.” But her hands were gentler than anyone’s.
I said, “Ma, but it flows past our door.”
One afternoon, a snake glided past my calf. I froze in the water, not daring to move, watching it swim lazily to the far bank and slide into the grass. A long while passed before I could shift my feet—and then, suddenly, I laughed at myself.
Afraid? Still afraid. But heartache outweighs fear.
Six
I began photographing each day’s work and posting it online: the river of yesterday on the left, the river of today on the right.
A patch of black, whitening a little more each day, like a cloud slowly drifting open to reveal sky.
At first, no one looked. Then one night my phone buzzed against my pillow, again and again. Thousands of messages. Someone a thousand kilometers away shouting, “We’re going to our own river tomorrow!” Someone mailing gloves. A child sending a drawing: a blue river, and a thin figure standing on the bank, holding up a bag of garbage like a flag.
One message I copied down and tucked under my pillow—
“Friend, you’re not pulling garbage out of the water. You’re pulling out a river.”
Seven
When spring came, the river began repaying me.
Not with garbage. With water birds landing on stones newly risen from the water, tilting their heads as if they didn’t recognize the place. With the old men and women of the village carrying their laundry back down to the bank, wooden paddles striking the water’s surface, striking my heart. With children crouching along the shore hunting for fish fry, faces turned up, shouting: “Suraj-bhaiya, the water’s cold!”
The water is cold.
How wonderful. Only living water deserves to be called cold.
Eight
Among all those screens glowing into the small hours, two messages rose highest.
One came from our state’s Chief Minister, inviting me to his residence. He said the government would come to help this river, and would go on to help many more like it.
One came from the Netherlands, half a world away, from an environmental group that cleans the oceans. Beneath a photograph, their founder wrote a single short line:
“Come work for us.”
My mother leaned in. She can’t read. “What does it say?” she asked.
I put the phone away and took her rough hands in mine. “It says—Ma, not one of those bags came out of the river for nothing.”
Nine
Tonight I’m sitting by the river again. My hands, soaked all day, have gone pale; the wounds give off a gentle heat in the dark, like growth rings the river keeps on my behalf.
Will I go far away? Perhaps. A person owes what they’ve learned to more rivers than one. But tomorrow, before first light, I’ll go down into the water again—the Ajen has shown only half its face, and the other half is still waiting for me beneath the surface.
And so a river and a man pulled each other up out of the mud together.
What it has taught me, I’ll spend a lifetime answering: one person is enough.
Enough to begin.
As dawn breaks at the edge of the sky, the water turns gold first, a single line of it. My name is Suraj. My mother told me it means “the sun.”
And when the sun rises, it always touches the water first.
(This story is adapted from true events; all names are pseudonyms.)
Based on a true story